THE HAUS OF GREY WEDDING DAY SHOT LIST
THIS SHOT LIST IS THE TEMPLATE FOR ALL OF OUR LEAD, SECOND, AND THIRD LEVEL WEDDING PHOTOGRAPHERS. THESE SHOTS ARE NOT SIMPLYN SUGGESTION, BUT THE MANDATORY SHOTS REQUIRED DURING THE WEDDING DAY.
Oftentimes, wedding studios and lead photographers throw their team into the lion’s den without any direction or expectations. We have decided to create a mandatory shot list that our shooters MUST capture during each phase of the wedding day. This, for us, establish a consistency of shots that our couples can expect to receive. Our shooter MUST first capture these shots before, time permitting, moving on to the next phase of the wedding day or other creative shots.
CAPTURING THE VENUE
MAKE SURE THE CAPTURE WIDE, MEDIUM, AND TIGHT SHOTS OF EACH COMPOSITION FROM DIFFERENT ANGLES. ALWAYS CAPTURE THE SIGN OR SINAGE OF THE VENUE.
CAPTURING THE BRIDE’S DETAILS
MAKE SURE THE CAPTURE WIDE, MEDIUM, AND TIGHT SHOTS OF EACH COMPOSITION. Alao, capture each FRAME FOLLOWING OUR SIGNATURE 5 COMPOSITIONS: (1) CENTEREDNESS, (2) NEGATIVE SPACE, (3) RULE OF THIRDS, (4) FRAME WITHIN A FRAME, AND (5) FOREGROUND BACKGROUND.
These are the absolute MUST HAVES:
Paper Suite (Invitation, Save the Date, Envelope, etc.), / Rings And Ring Box (Both Bride + Grooms) / Your Something Borrowed and Something Blue / Florals / Shoes / Perfume / Other Jewelry (earrings, necklace, waist beads, etc.) / Heirloom Pieces / Garter / Dress (By Itself)
CAPTURING THE GROOM’S DETAILS
MAKE SURE THE CAPTURE WIDE, MEDIUM, AND TIGHT SHOTS OF EACH COMPOSITION. Alao, capture each detail invidually.
These are the Groom Details MUST HAVES:
Vows – What the groom says to the bride during the ceremony if the bridal couple will say your own. This is more than saying ‘I Do’ or ‘I Will’ / Wallet (Driver’s license, Credit Cards) / Cologne / Toothbrush, toothpaste, mouthwash, breath mints / Tuxedo or suit (with all components such as a tie, jacket, vest, shirt, pants, cummerbund, belt, etc.) / Shoes, socks, underwear (with extra pairs) / Deodorant / Razor (or electric shaver) and shaving cream / Medications (Tums is also nice to have as a back-up) / contact lenses or glasses (spare sets also recommended) / Cash (don’t forget about tipping wedding services) / Hair products such as gel, comb, hair spray
CAPTURING THE BRIDAL PREP
MAKE SURE THE CAPTURE WIDE, MEDIUM, AND TIGHT SHOTS OF EACH COMPOSITION. Alao, capture each FRAME FOLLOWING OUR SIGNATURE 5 COMPOSITIONS: (1) CENTEREDNESS, (2) NEGATIVE SPACE, (3) RULE OF THIRDS, (4) FRAME WITHIN A FRAME, AND (5) FOREGROUND BACKGROUND.
THE PARTY GIRLS
MAKE SURE THE CAPTURE WIDE, MEDIUM, AND TIGHT SHOTS OF EACH COMPOSITION. Alao, capture each FRAME FOLLOWING OUR SIGNATURE 5 COMPOSITIONS: (1) CENTEREDNESS, (2) NEGATIVE SPACE, (3) RULE OF THIRDS, (4) FRAME WITHIN A FRAME, AND (5) FOREGROUND BACKGROUND.
BRIDE SOLO (PRE-CEREMONY)
The Ghionis / Veil Over Face / Under The Veil / Veil Over One Eye / Backlit Window (Bright Facing + Silhouette Facing Away) / Putting On Earrings / Dress Twirl / Holding The Acorn / Looking Down + Away The Walk Towards / The Walk Away + Looking Back / Holding The Bouquet / Over The Shoulder / Dad / Bridesmaids First Look / Bride + Bridesmaids
CAPTURING THE BRIDAL PARTY
MAKE SURE THE CAPTURE WIDE, MEDIUM, AND TIGHT SHOTS OF EACH COMPOSITION. Alao, capture each FRAME FOLLOWING OUR SIGNATURE 5 COMPOSITIONS: (1) CENTEREDNESS, (2) NEGATIVE SPACE, (3) RULE OF THIRDS, (4) FRAME WITHIN A FRAME, AND (5) FOREGROUND BACKGROUND.
CAPTURING THE GROOM PREP + SOLO
MAKE SURE THE CAPTURE WIDE, MEDIUM, AND TIGHT SHOTS OF EACH COMPOSITION. Alao, capture each FRAME FOLLOWING OUR SIGNATURE 5 COMPOSITIONS: (1) CENTEREDNESS, (2) NEGATIVE SPACE, (3) RULE OF THIRDS, (4) FRAME WITHIN A FRAME, AND (5) FOREGROUND BACKGROUND.
The Ghionis / Tying The Bow / The Reflection Photo / The Personality Pic / The GQ Photo / Putting On Jacket / Fixing The Watch / Cufflinks / Putting On Shoes / Details
CAPTURING THE GROOM PARTY
MAKE SURE THE CAPTURE WIDE, MEDIUM, AND TIGHT SHOTS OF EACH COMPOSITION. Alao, capture each FRAME FOLLOWING OUR SIGNATURE 5 COMPOSITIONS: (1) CENTEREDNESS, (2) NEGATIVE SPACE, (3) RULE OF THIRDS, (4) FRAME WITHIN A FRAME, AND (5) FOREGROUND BACKGROUND.
Just Hanging Out / The Toast / The Fastening Train / The Personality Pic / The Serious Photo / Showing Off Matching Accessories / The V-Formation / The Hands in the Pocket Stance / The Final Touches “Wipe Me Down” / Heading To The Ceremony: The Walking Shot”
CAPTURING THE FIRST LOOK
MAKE SURE THE CAPTURE WIDE, MEDIUM, AND TIGHT SHOTS OF EACH COMPOSITION. Alao, capture each FRAME FOLLOWING OUR SIGNATURE 5 COMPOSITIONS: (1) CENTEREDNESS, (2) NEGATIVE SPACE, (3) RULE OF THIRDS, (4) FRAME WITHIN A FRAME, AND (5) FOREGROUND BACKGROUND.
CAPTURING THE CEREMONY DETAILS
MAKE SURE THE CAPTURE WIDE, MEDIUM, AND TIGHT SHOTS OF EACH COMPOSITION. Alao, capture each FRAME FOLLOWING OUR SIGNATURE 5 COMPOSITIONS: (1) CENTEREDNESS, (2) NEGATIVE SPACE, (3) RULE OF THIRDS, (4) FRAME WITHIN A FRAME, AND (5) FOREGROUND BACKGROUND.
CAPTURING THE CEREMONY
MAKE SURE THE CAPTURE WIDE, MEDIUM, AND TIGHT SHOTS OF EACH COMPOSITION. Alao, capture each FRAME FOLLOWING OUR SIGNATURE 5 COMPOSITIONS: (1) CENTEREDNESS, (2) NEGATIVE SPACE, (3) RULE OF THIRDS, (4) FRAME WITHIN A FRAME, AND (5) FOREGROUND BACKGROUND.
CAPTURING THE FULL BRIDAL PARTY EDITORIAL PORTRAITS
MAKE SURE THE CAPTURE WIDE, MEDIUM, AND TIGHT SHOTS OF EACH COMPOSITION. Alao, capture each FRAME FOLLOWING OUR SIGNATURE 5 COMPOSITIONS: (1) CENTEREDNESS, (2) NEGATIVE SPACE, (3) RULE OF THIRDS, (4) FRAME WITHIN A FRAME, AND (5) FOREGROUND BACKGROUND.
CAPTURING THE FAMILY EDITORIAL PORTRAITS
MAKE SURE THE CAPTURE WIDE, MEDIUM, AND TIGHT SHOTS OF EACH COMPOSITION. Alao, capture each FRAME FOLLOWING OUR SIGNATURE 5 COMPOSITIONS: (1) CENTEREDNESS, (2) NEGATIVE SPACE, (3) RULE OF THIRDS, (4) FRAME WITHIN A FRAME, AND (5) FOREGROUND BACKGROUND.
CAPTURING THE COCKTAIL HOUR
MAKE SURE THE CAPTURE WIDE, MEDIUM, AND TIGHT SHOTS OF EACH COMPOSITION. Alao, capture each FRAME FOLLOWING OUR SIGNATURE 5 COMPOSITIONS: (1) CENTEREDNESS, (2) NEGATIVE SPACE, (3) RULE OF THIRDS, (4) FRAME WITHIN A FRAME, AND (5) FOREGROUND BACKGROUND.
CAPTURING THE BRIDE & GROOM COUPLE SESSION
MAKE SURE THE CAPTURE WIDE, MEDIUM, AND TIGHT SHOTS OF EACH COMPOSITION. Alao, capture each FRAME FOLLOWING OUR SIGNATURE 5 COMPOSITIONS: (1) CENTEREDNESS, (2) NEGATIVE SPACE, (3) RULE OF THIRDS, (4) FRAME WITHIN A FRAME, AND (5) FOREGROUND BACKGROUND.
The V UP “The Quick Six”
Closed Pose “Looking Into The Eyes” / Stacked Pose “Bride In Front Of Groom” / The Walking Shot / Groom Carrying The Bride / The Twirl. The Dip. The Lift / Centeredness / Close Up Forehead Touch / The Staggered Couple / The Silhouette / The V-Formation / The First Look / The Tie Grab / Kiss Under The Veil
CAPTURING THE RECEPTION DETAILS
MAKE SURE THE CAPTURE WIDE, MEDIUM, AND TIGHT SHOTS OF EACH COMPOSITION. Alao, capture each FRAME FOLLOWING OUR SIGNATURE 5 COMPOSITIONS: (1) CENTEREDNESS, (2) NEGATIVE SPACE, (3) RULE OF THIRDS, (4) FRAME WITHIN A FRAME, AND (5) FOREGROUND BACKGROUND.
CAPTURING THE RECEPTION FIRST LOOK
MAKE SURE THE CAPTURE WIDE, MEDIUM, AND TIGHT SHOTS OF EACH COMPOSITION. Alao, capture each FRAME FOLLOWING OUR SIGNATURE 5 COMPOSITIONS: (1) CENTEREDNESS, (2) NEGATIVE SPACE, (3) RULE OF THIRDS, (4) FRAME WITHIN A FRAME, AND (5) FOREGROUND BACKGROUND.
CAPTURING THE RECEPTION
MAKE SURE THE CAPTURE WIDE, MEDIUM, AND TIGHT SHOTS OF EACH COMPOSITION. Alao, capture each FRAME FOLLOWING OUR SIGNATURE 5 COMPOSITIONS: (1) CENTEREDNESS, (2) NEGATIVE SPACE, (3) RULE OF THIRDS, (4) FRAME WITHIN A FRAME, AND (5) FOREGROUND BACKGROUND.
CAPTURING THE RECEPTION NIGHTTIME EDOTORAIL COUPLE PORTRAIT
MAKE SURE THE CAPTURE WIDE, MEDIUM, AND TIGHT SHOTS OF EACH COMPOSITION. Alao, capture each FRAME FOLLOWING OUR SIGNATURE 5 COMPOSITIONS: (1) CENTEREDNESS, (2) NEGATIVE SPACE, (3) RULE OF THIRDS, (4) FRAME WITHIN A FRAME, AND (5) FOREGROUND BACKGROUND.
CAPTURING THE GRAND EXIT
MAKE SURE THE CAPTURE WIDE, MEDIUM, AND TIGHT SHOTS OF EACH COMPOSITION. Alao, capture each FRAME FOLLOWING OUR SIGNATURE 5 COMPOSITIONS: (1) CENTEREDNESS, (2) NEGATIVE SPACE, (3) RULE OF THIRDS, (4) FRAME WITHIN A FRAME, AND (5) FOREGROUND BACKGROUND.
CHECK OUT OUR SECOND SHOOTER WEDDING DAY WORKFLOW
Second Shooter Training | Groom and Groomsmen
UPDATE: We have released a full workshop on Groom Preparation called “Photographing the Groom.” In this tutorial, we teach you how to execute grooms’ portraits, candid moments during groom prep, groomsmen group photos and much more.
Second Shooter Training | The Ceremony
UPDATE: We have released a full workshop on Ceremony Preparation called “Photographing the Ceremony.” In this tutorial, we teach you how to execute ceremony portraits, candid moments and much more.
Second Shooter Training | The Couple Session
UPDATE: We have released a full workshop on Couple Session Preparation called “Photographing the Couple Session.” In this tutorial, we teach you how to execute couple portraits, candid moments and much more.
Second Shooter Training | The First Look
UPDATE: We have released a full workshop on Couple Session Preparation called “Photographing the First Look.” In this tutorial, we teach you how to execute first look portraits, candid moments and much more.
Second Shooter Training | The Reception Details
UPDATE: We have released a full workshop on Couple Session Preparation called “Photographing the First Look.” In this tutorial, we teach you how to execute reception details, portraits, candid moments and much more.